Some Famous Poem by Kazi Nazrul Islam, the national poet of Bangladesh
Kazi Nazrul Islam was a Bengali poet, writer, musician, and is the national poet of Bangladesh. Nazrul is regarded as one of the greatest poets in Bengali literature. Some famous poem of Kazi Nazrul Islam in English translation is given below:
THE
REBEL
(Original:
Bidruhi)
Kazi
Nazrul Islam
Translation:
Kabir Chowdhury
Say, Valiant,
Say: High
is my head!
Looking at
my head
Is cast
down the great Himalayan peak!
Say,
Valiant,
Say:
Ripping apart the wide sky of the universe,
Leaving behind
the moon, the sun, the planets
and the
stars
Piercing
the earth and the heavens,
Pushing
through Almighty's sacred seat
Have I
risen,
I, the
perennial wonder of mother-earth!
The angry
God shines on my forehead
Like some
royal victory's gorgeous emblem.
Say,
Valiant,
Ever high
is my head!
I am
irresponsible, cruel and arrogant,
I an the
king of the great upheaval,
I am
cyclone, I am destruction,
I am the
great fear, the curse of the universe.
I have no
mercy,
I grind all
to pieces.
I am disorderly
and lawless,
I trample
under my feet all rules and discipline!
I am
Durjati, I am the sudden tempest of ultimate summer,
I am the
rebel, the rebel-son of mother-earth!
Say,
Valiant,
Ever high
is my head!
I am the
hurricane, I am the cyclone
I destroy
all that I found in the path!
I am the
dance-intoxicated rhythm,
I dance at
my own pleasure,
I am the
unfettered joy of life!
I am
Hambeer, I am Chhayanata, I am Hindole,
I am ever
restless,
I caper and
dance as I move!
I do
whatever appeals to me, whenever I like,
I embrace
the enemy and wrestle with death,
I am mad. I
am the tornado!
I am
pestilence, the great fear,
I am the
death of all reigns of terror,
I am full
of a warm restlessness for ever!
Say,
Valiant,
Ever high
is my head!
I am
creation, I am destruction,
I am
habitation, I am the grave-yard,
I am the
end, the end of night!
I am the
son of Indrani
With the
moon in my head
And the sun
on my temple
In one hand
of mine is the tender flute
While in
the other I hold the war bugle!
I am the
Bedouin, I am the Chengis,
I salute
none but me!
I am
thunder,
I am
Brahma's sound in the sky and on the earth,
I am the
mighty roar of Israfil's bugle,
I am the
great trident of Pinakpani,
I am the
staff of the king of truth,
I am the
Chakra and the great Shanka,
I am the
mighty primordial shout!
I am
Bishyamitra's pupil, Durbasha the furious,
I am the
fury of the wild fire,
I burn to
ashes this universe!
I am the
gay laughter of the generous heart,
I am the
enemy of creation, the mighty terror!
I am the eclipse
of the twelve suns,
I herald
the final destruction!
Sometimes I
am quiet and serene,
I am in a
frenzy at other times,
I am the
new youth of dawn,
I crush
under my feet the vain glory of the Almighty!
I am the
fury of typhoon,
I am the
tumultuous roar of the ocean,
I am ever
effluent and bright,
I
trippingly flow like the gaily warbling brook.
I am the
maiden's dark glassy hair,
I am the
spark of fire in her blazing eyes.
I am the
tender love that lies
In the
sixteen year old's heart,
I am the
happy beyond measure!
I am the
pining soul of the lovesick,
I am the
bitter tears in the widow's heart,
i am the
piteous sighs of the unlucky!
I am the
pain and sorrow of all homeless sufferers,
i am the
anguish of the insulted heart,
I am the
burning pain and the madness of the jilted lover!
I am the
unutterable grief,
I am the
trembling first touch of the virgin,
I am the
throbbing tenderness of her first stolen kiss.
I am the
fleeting glace of the veiled beloved,
I am her
constant surreptitious gaze.
I am the gay
gripping young girl's love,
I am the
jingling music of her bangles!
I am the
eternal-child, the adolescent of all times,
I am the
shy village maiden frightened by her own budding youth.
I am the
soothing breeze of the south,
I am the
pensive gale of the east.
I am the
deep solemn song sung by the wondering bard,
I am the
soft music played on his lyre!
I am the
harsh unquenched mid-day thirst,
I am the
fierce blazing sun,
I am the
softly trilling desert spring,
I am the
cool shadowy greenery!
Maddened with
an intense joy I rush onward,
I am
insane! I am insane!
Suddenly I
have come to know myself,
All the
false barriers have crumbled today!
I am the
rising, I am the fall,
I am
consciousness in the unconscious soul,
I am the
flag of triumph at the gate of the world,
I am the
glorious sign of man's victory,
Clapping my
hands in exultation I rush like the hurricane,
Traversing
the earth and the sky.
The mighty
Borrak is the horse I ride.
It neighs
impatiently, drunk with delight!
I am the
burning volcano in the bosom of the earth,
I am the
wild fire of the woods,
I am Hell's
mad terrific sea of wrath!
I ride on
the wings of the lightning with joy and profound,
I scatter
misery and fear all around,
I bring
earth-quakes on this world!
I am
Orpheus's flute,
I bring
sleep to the fevered world,
I make the
heaving hells temple in fear and die.
I carry the
message of revolt to the earth and the sky!
I am the
mighty flood,
Sometimes I
make the earth rich and fertile,
At another
times I cause colossal damage.
I snatch
from Bishnu's bosom the two girls!
I am
injustice, I am the shooting star,
I am
Saturn, I am the fire of the comet,
I am the
poisonous asp!
I am Chandi
the headless, I am ruinous Warlord,
Sitting in
the burning pit of Hell
I smile as
the innocent flower!
I am the
cruel axe of Parsurama,
I shall
kill warriors
And bring
peace and harmony in the universe!
I am the
plough on the shoulders of Balarama,
I shall
uproot this miserable earth effortlessly and with ease,
And create
a new universe of joy and peace.
Weary of
struggles, I, the great rebel,
Shall rest
in quiet only when I find
The sky and
the air free of the piteous groans of the oppressed.
Only when
the battle fields are cleared of jingling bloody sabres
Shall I,
weary of struggles, rest in quiet,
I the great
rebel.
I am the
rebel eternal,
I raise my
head beyond this world,
High, ever
erect and alone!
কান্ডারী হুশিয়ার! - কাজী নজরুল ইসলাম
দুর্গম গিরি, কান্তার-মরু, দুস্তর পারাবার
লঙ্ঘিতে হবে রাত্রি-নিশীথে, যাত্রীরা হুশিয়ার!
দুলিতেছে তরি, ফুলিতেছে জল, ভুলিতেছে মাঝি পথ,
ছিঁড়িয়াছে পাল, কে ধরিবে হাল, আছে কার হিম্মৎ?
কে আছ জোয়ান হও আগুয়ান হাঁকিছে ভবিষ্যৎ।
এ তুফান ভারী, দিতে হবে পাড়ি, নিতে হবে তরী পার।
তিমির রাত্রি, মাতৃমন্ত্রী সান্ত্রীরা সাবধান!
যুগ-যুগান্ত সঞ্চিত ব্যথা ঘোষিয়াছে অভিযান।
ফেনাইয়া উঠে বঞ্চিত বুকে পুঞ্জিত অভিমান,
ইহাদের পথে নিতে হবে সাথে, দিতে হবে অধিকার।
অসহায় জাতি মরিছে ডুবিয়া, জানে না সন্তরন
কান্ডারী! আজ দেখিব তোমার মাতৃমুক্তি পন।
হিন্দু না ওরা মুসলিম? ওই জিজ্ঞাসে কোন জন?
কান্ডারী! বল, ডুবিছে মানুষ, সন্তান মোর মার
গিরি সংকট, ভীরু যাত্রীরা গুরু গরজায় বাজ,
পশ্চাৎ-পথ-যাত্রীর মনে সন্দেহ জাগে আজ!
কান্ডারী! তুমি ভুলিবে কি পথ? ত্যজিবে কি পথ-মাঝ?
করে হানাহানি, তবু চলো টানি, নিয়াছ যে মহাভার!
কান্ডারী! তব সম্মুখে ঐ পলাশীর প্রান্তর,
বাঙালীর খুনে লাল হল যেথা ক্লাইভের খঞ্জর!
ঐ গঙ্গায় ডুবিয়াছে হায়, ভারতের দিবাকর!
উদিবে সে রবি আমাদেরি খুনে রাঙিয়া পূনর্বার।
ফাঁসির মঞ্চে গেয়ে গেল যারা জীবনের জয়গান,
আসি অলক্ষ্যে দাঁড়ায়েছে তারা, দিবে কোন্ বলিদান
আজি পরীক্ষা, জাতির অথবা জাতের করিবে ত্রাণ?
দুলিতেছে তরী, ফুলিতেছে জল, কান্ডারী হুশিয়ার!
BEWARE
MY CAPTAIN
(Original:
Kandari hushiar)
Kazi
Nazrul Islam
Translation:
Kabir Chowdhury
You have to cross the darkness of
the night
A desert
vast and a hill of great height,
And an
ocean, fathomless and dark.
Travellers,
beware and look sharp.
The boat is
trembling,
The water
is swelling,
The sail is
torn asunder,
And the
boatman is losing his way,
Who will
sit at the helm at this hour?
Who has the
courage and the power?
The future
calls your,
Come
forward, all who are bold and true.
The night
is dark, the storm is great,
You must
look sharp, there is no time to hesitate.
You must
make haste or it would be too late
To ferry
the boat across the other side.
The night
is dark, Be your own guard.
your,
soldiers of the country,
Age old
grievances have declared a fight,
The
deprived heart is demanding its right.
You must
take them along, the poor and the weak,
You must
make them strong, no longer mild and meek
You must
lead them to victory.
O Captain,
my captain,
The
helpless nation is going under water,
It does not
know how to swim.
I shall
watch tonight
Your
determination, grim yet bright,
To free the
country from slavery.
'Are they
Hindus or Muslims?'
Who ask
this question, I say.
Tell him,
my Captain,
The
children of the motherland are drowning today.
Doubts
assail the mind of the travelers still,
There is
thunder in the sky and danger over the hill.
Captain,
will you lose the way
And leave
us in the lurch?
You must
not waver or sway,
You must
carry on the march.
Those who
sang the victory of life
With the
nose of the gallows round their neck
Come and
gather round quietly today.
What price
do you pay for that, friends,
What
sacrifice do you make?
It is a
test, dear Captain,
Do you save
the country or the cast at this hour?
The boat is
trembling,
The water
is swelling,
Beware, my
Captain, beware.
সাম্য - কাজী নজরুল ইসলাম
গাহি সাম্যের গান –
বুকে বুকে হেথা তাজা সুখ ফোটে, মুখে মুখে তাজা-প্রাণ!
বন্ধু, এখানে রাজা-প্রজা নাই, নাই দরিদ্র-ধনী,
হেথা পায় নাকো কেহ খুদ-ঘাঁটা, কেহ দুধ-সর-ননী।
অশ্ব-চরণে মোটর-চাকায় প্রণমে না হেথা কেহ,
ঘৃণা জাগে নাকো সাদাদের মনে দেখে হেথা কালা-দেহ।
সাম্যবাদী-স্থান
নাইকো এখানে কালা ও ধলার আলাদা গোরস্থান।
নাইকো এখানে কালা ও ধলার আলাদা গির্জা-ঘর,
নাইকো পাইক-বরকন্দাজ নাই পুলিশের ডর।
এই সে স্বর্গ, এই সে বেহেশ্ত, এখানে বিভেদ নাই,
যত হাতাহাতি হাতে হাত রেখে মিলিয়াছে ভাই ভাই!
নেইকো এখানে ধর্মের ভেদ শাস্ত্রের কোলাহল,
পাদরি-পুরুত-মোল্লা-ভিক্ষু এক গ্লাসে খায় জল।
হেথা স্রষ্টার ভজনা-আলয় এই দেহ এই মন,
হেথা মানুষের বেদনায় তাঁর দুখের সিংহাসন!
সাড়া দেন তিনি এখানে তাঁহারে যে-নামে যে-কেহ ডাকে,
যেমন ডাকিয়া সাড়া পায় শিশু যে-নামে ডাকে সে মাকে!
পায়জামা প্যান্ট ধুতি নিয়া হেথা হয় নাকো ঘুঁষোঘুঁষি,
ধুলায় মলিন দুখের পোশাকে এখানে সকলে খুশি।
EQUALITY
(Original:
Shammyo)
Kazi
Nazrul Islam
I sing the song of
equality.
I sing of the country
Where fresh joys
blossom forth in, the hearts of men
And budding life
shimmers in their faces.
Comrade, nobody is
king- in this land and none a subject.
There is no man here
poor and abject
Nor is there any, full
of riches and money.
Here some do not. eat
cast off rice-sweepings
And some all the cream
and honey.
No one bows down here
before the horses feet,
Or in front of the
motor-cars wheels.
Hatred does not spring
up here
In whitemen's breasts
Whenever they see
blackmen close and near.
Comrade, this is a
place where all are equal,
Where the black and the
white have no separate graveyards,
Where they have no
separate rooms for offering their prayers.
There are no sentries
or peons here,
Nor is there any
police-troops fear.
This is the Heaven
where there are no distinctions,
Where leaving aside all
'quarrels
Men have clasped
other's hands as brothers dear,
Religion does not
create differences in this place
Nor do scriptures raise
any futile clamour.
The priests and padres,
the mollah and the moulvis
Drink water here from
the same container.
Here the house of
prayer for the Creator
Lies in the body and
the mind.
Here His throne of
sorrows
Is amidst the miseries
of mankind.
Here He responds to
men's calls
By whatever name, they
may choose to appeal
Like the loving and
fond mother
Ever ready and alert to
respond
To the call of her
child,
Whatever name he may
call her by.
Here in this abode of equality
Different ways of
apparel
Do not give rise to
vicious quarrel.
Here clothed in dusty
costume
Men are satisfied and
happy,
Here in this land peace
and equality.
নারী - কাজী নজরুল ইসলাম
সাম্যের গান গাই-
আমার চক্ষে পুরুষ-রমণী কোনো ভেদাভেদ নাই!
বিশ্বের যা কিছু মহান সৃষ্টি চির কল্যাণকর
অর্ধেক তার করিয়াছে নারী, অর্ধেক তার নর।
বিশ্বে যা কিছু এল পাপ তাপ বেদনা অশ্রুবারি,
অর্ধেক তার আনিয়াছে নর অর্ধেক তার নারী।
নরক কুন্ড বলিয়া তোমা’ করে নারী হেয় জ্ঞান?
তারে বল, আদি-পাপ নারী নহে, সে যে নর শয়তান।
অথবা পাপ যে-শয়তান যে-নর নহে নারী নহে,
ক্লীব সে, তাই নর ও নারীতে সমান মিশিয়া রহে।
এ বিশ্বে যত ফুটিয়াছে ফুল, ফলিয়াছে যত ফল
নারী দিল তাহে রূপ-রস-সূধা-গন্ধ সুনির্মল।
তাজমহলের পাথর দেখেছ, দেখিয়াছ তার প্রাণ?
অন্তরে তার মমতাজ নারী, বাহিরেতে শা-জাহান।
জ্ঞানের লক্ষী, গানের লক্ষী, শষ্য-লক্ষী নারী,
সুষম-লক্ষী নারীওই ফিরিছে রূপে রূপে সঞ্চারী’।
পুরুষ এনেছে দিবসের জ্বালা তপ্ত রৌদ্রদাহ
কামিনী এনেছে যামিনী শান্তি সমীরণ বারিবাহ।
দিবসে দিয়াছে শক্তি সাহস, নিশিথে হয়েছে বঁধু
পুরুষ এসেছে মরুতৃষা লয়ে নারী যোগায়েছে মধু।
শষ্য ক্ষেত্র উর্বর হল,পুরুষ চালাল হাল,
নারী সেই মাঠে শষ্য রোপিয়া করিল সুশ্যামল।
নর বাহে হল, নারী বহে জল,সেই জল মাটি মিশে’
ফসল হইয়া ফলিয়া উঠিল সোনালী ধানের শীষে
স্বর্ণ-রৌপ্যভার,
নারীর অঙ্গ-পরশ লভিয়া হয়েছে অলঙ্কার।
নারীর বিরহে, নারীর মিলনে নর পেল কবি-প্রাণ
যত কথা হইল কবিতা, শব্দ হইল গান।
নর দিল ক্ষুধা, নারী দিল সুঢা,সুঢায় ক্ষুধায় মিলে’
জন্ম লভিছে মহামানবের মহাশিশু তিলে তিলে।
জগতের যত বড় বড় জয়, বড় বড় অভিযান
মাতা ভগ্নি বধুদের ত্যাগে হইয়াছে মহান।
কোন রণে কত খুন দিল নর, লেখা আছে ইতিহাসে
কত নারী দিল সিঁথির সিদুর, লেখা নাই তার পাশে।
কত মাতা দিল হৃদয় উপড়ি, কত বোন দিল সেবা
বীর স্মৃতি স্তম্ভের গায়ে লিখিয়া রেখেছে কেবা?
কোন কালে একা হয়নি ক জয়ী পুরুষের তরবারী
প্রেরণা দিয়েছে, শক্তি দিয়েছে বিজয় লক্ষী নারী।
রাজা করিতেছে রাজ্য শাসন, রাজারে শাসিছে রানী,
রানীর দরদে ধুইয়া গেছে রাজ্যের যত গ্লানি।
পুরুষ-হৃদয়হীন,
মানুষ করিতে নারী দিল তারে অর্ধেক হৃদয় ঋণ।
ধরায় যাদের যশ ধরে নাক, অমর মহামানব,
বরষে বরষে যাদের স্মরণে, করি মোরা উৎসব
খেয়ালের বশে তাদের জম্ম দিয়েছে পিতা
লব কুশ বনে ত্যাজিয়াছে রাম, পালন করেছে সীতা!
নারী, সে শিখাল শিশু পুরুষেরে, স্নেহ-প্রেম, দয়া-মায়া
দীপ্ত নয়নে পরল কাজল, বেদনার ঘন ছায়া!
অদ্ভুত রূপে পুরুষ পুরুষে করিল সে ঋণ শোধ,
বুকে নিয়ে তারে চুমিল যে তারে করিল সে অবরোধ!
তিনি নর-অবতার-
পিতার আদেশে জননীরে যিনি কাটেন হানি’ কুঠার!
পার্শ্ব ফিরিয়া শুয়েছেন আজ অর্ধনারীশ্বর-
নারী চাপা ছিল এতদিন,আজ চাপা পড়িয়াছে নর!
সে-যুগ হয়েছে বাসি,
যে যুগে পুরুষ দাস ছিল না ক, নারীরা আছিল দাসী!
বেদনার যুগ,মানুষের যুগ, সাম্যর যুগ আজি,
কেহ রহিবেনা বন্দী কাহারও, উঠিছে ডঙ্কা বাজি!
নর যদি রাখে নারীরে বন্দী, তবে এর পর যুগে
আপনারি রচা অই কারাগারে পুরুষ মরিবে ভুগে।
যুগের ধর্ম এই-
পীড়ন করিলে সে পীড়ন এসে পীড়া দেবে তোমাকেই!
শোনো মর্ত্যের জীব!
অন্যরে যত করিবে পীড়ন, নিজে হবে তত ক্লীব!
স্বর্ণ-রৌপ্য অলঙ্কারের যক্ষপুরিতে নারী!
করিল তোমা বন্দিনী, বল, কোন সে অত্যাচারী?
আপনারে আজ প্রকাশের তব নাই সেই ব্যকুলতা,
আজ তুমি ভীরু আড়ালে থাকিয়া নৈপথ্যে কও কথা!
চোখে চোখে আজ চাহিতে পারনা; হাতে রুলি,পায়ে মল,
মাথার ঘোমটা ছিঁড়ে ফেল নারী, ভেঙ্গে ফেল ও শিকল!
যে ঘোমটা তোমা করিয়াছে ভীরু ঊড়াও সে আবরণ!
দূর করে দাও দাসীর চিহ্ণ, ঐ যত আভরণ!
ধরার দুলালী মেয়ে
ফের না ত আর গিরিদরীবনে শাখী-সনে গান গেয়ে।
কখন আসল “প্লুটো” যমরাজ নিশিথ পাখায় উড়ে’,
ধরিয়া তোমায় পুড়িল তাহার বিবর-পুরে!
সেই সে আদিম বন্ধন তব, সেই হতে আছ মরি’
মরণের পুরে;নামিল ধরায় সেই দিন বিভাবরী।
ভেঙ্গে যম্পুরী নাগিনীর মত আয় মা পাতাল ফূঁড়ি।‘
আধাঁরে তোমায় পতজ দেখাবে মা তোমারি ভগ্ন চুঁড়ি!
পুরুষ-যমের ক্ষুধার কুকুর মুক্ত ও পদাঘাতে
লুটায়ে পড়িবে ও চরণ-তলে দলিত যমের সাথে!
এতদিন শুধু বিলালে অমৃত, আজ প্রয়োজন যবে,
যে-হাতে পিয়ালে অমৃত, সে-হাতে কূট বিষ দিতে হবে।
সেদিন সুদূর নয়-
যে দিন ধরণী পুরুষের সাথে গাহিবে নারীর ও জয়।
WOMAN
(Original:
Nari)
Kazi
Nazrul Islam
Translation:
Mohammad Omar Farooq
I sing the song
of equality;
In my view gender
difference
is essentially a
triviality.
Everything that is
great in the world,
all the works,
beneficial and good,
half must be credited
to woman,
and to man half only we should.
All the vice or bad in the world,
and the pain or flowing
tear,
for half, man should be
blamed,
the other half only
woman should bear.
Who belittles you as
woman,
connecting you to
Hell's flame?
Tell him that for the
first ever sin
not woman, but man must
carry the blame.
Or, it may be that sin
or Satan
is in reality neither
man or woman;
Satan is
gender-neutral, so
it flows equally in
woman or man.
All the flowers
blossomed in the world,
and all the fruits
grown,
isn't in beauty, nectar
and fragrance of those
woman's contribution?
Have you seen Taj
Mahal's marble?
It's spirit, have you
seen?
At the heart of it
Momtaj, woman;
outside is Shahjahan,
the King and lover so keen.
The fortune of
knowledge, or of music,
or, the fortune of all
harvest,
woman's grace has made
it so worthwhile,
flowing from every home and nest.
In the hardship of day
and its scorching heat,
you can see reflection
of man;
in the soothing breeze
and in peace of night,
who shines but woman?
During the day she is source
of strength.
She glows in affection
at night;
when man needs comfort
and love,
her grace and sweetness
flow to make his life bright.
With man behind the
plough,
the crop field became
bountiful, indeed;
the greenery was only
more beautiful,
as woman sowed the
seed.
Man carries the plough,
woman carries the water;
from soil and water
mixed together,
the crop grows in
abundance,
ears of paddy - like
blooming heather.
Of course, the metals -
gold and silver:
ordinary otherwise;
those become fancy
jewelry
with woman's touch that
underlies.
In longing for woman,
or in her communion,
man found where the
poets' hearts belong,
as his words became
poetry
and sounds turned into
song.
Man's present - the
passion; woman's is affection -
with the communion that
hungry loves entail,
comes the children -
all magnificent
from man the great that
even angels hail.
All the great victory
of the world
and all the grand
voyages,
gained grandeur and
nobility from sacrifice of
mothers, sisters, and
wives, throughout the ages.
How much blood man has
offered
is recorded in annals of history;
how many women became
widow -
No record of that - Is
it a mystery?
How many mothers poured
their hearts,
and how many sisters
did serve?
the memorials of heroes
- great or small
do not show that - do
you not observe?
Victory hasn't kissed
man's sword,
because of the valor of
man alone;
the inspiration and
pride woman brought
to men, that should
also be known.
While king rules the
kingdom
and queen rules the
king,
the misery and sadness
go away,
joy and happiness her
grace does bring.
Man!
heartless, like a
stone;
to make human out of
him,
woman gave half of her
heart as loan.
All the great
celebrities, immortal -
whose fame knows no
bound;
we celebrate in their
memory
regularly, every year
around.
They came to this
world,
as at moment's passion
they were fathered;
but Raam found shelter
in jungle,
while all the care and
nurture Sita gathered.
Wasn't it the woman who
taught baby-'men'
love mercy and
compassion?
Didn't she touch their
eyes with kohl
as a shadow of her sad
affection?
Man paid that debt off
in a very strange way;
holding on lap she who
kissed him,
behind curtain and wall, she was put away.
Man the great;
Is he so, really?
who cuts open his
mother's throat
at the command of his
Muni father, bending his knee?
In the world's bed,
half the deity: woman
just turned the side;
so far woman has taken
enough,
now man will be
confined.
Gone
is that age,
when man was the master
to enslave woman in his
wish's cage.
This age is of empathy,
of being human,
of equality is this new
time;
no one would be the
other's prisoner -
don't you hear that
chime?
If man imprisons woman,
then the turn will come
sure;
in the same prison he
built,
he will rot and die
without a cure.
Take this lesson -
a wisdom always right
and true,
if you make suffer
someone,
suffering will catch up
with you.
Listen!
you the creature of
this earth!
the more you oppress
others,
your humanness?
gradually, there will be dearth.
In the dungeon of
treasure
with jewelry of silver
and gold,
who confined you, O
woman,
who is that animal with
heart so cold?
No more agitation or bewilderment
to express yourself any
more;
now you are timid,
vulnerable, and
speak only from behind
the wall or door.
You can't look eye to
eye, and still wear
bracelet and anklets -
the prisoner's symbol;
tear off the veil of
yours,
unchain yourself, it
has taken enough toll.
The veil that made you
timid,
let that go away;
all those ornaments and
symbols of servitude,
throw away, throw away.
Woman!
To this world precious
you really are!
Don't roam in jungle or
to sing to trees you
wander afar.
When did the Regent of
Death come
flying on the wing of
night's shade,
snatched you to
captivity
in its dungeon where
nobody can raid.
In that bondage of old
time,
you are still living
dead;
from that time world's
light is stolen
and our vision is
obscure in dread.
Come like a lightening,
O mother,
breaking away from that
pit;
your broken grass
bracelets
will keep your path
lit.
The animal, that is
man's hunger -
at the fling of your
leg,
will dropp dead at your
feet, and
together, with smashed
undertaker, will earnestly beg.
Your ambrosia all of us
enjoyed,
now different is the
need,
the hand that offered ambrosia before
to the monsters must
now offer hemlock, indeed.
Not very far
is that cherished day,
when with homage to
man,
to woman also homage, the world will pay.
MAN
(HUMAN BEING)
(Original:
Manush)
Kazi
Nazrul Islam
Translation:
Sajed Kamal
I sing of equality.
There's nothing greater
than a human being,
nothing nobler!
Caste, creed,
religion-there's no difference.
Throughout all ages,
all places,
we're all a
manifestation
of our common humanity.
'O Priest, please open
the door!
A hungry god is at your
doorstep
it's time for worship.'
Awakened by this dream
the priest rushes to
open the temple door
with eager
anticipation: His day might have
finally arrive! ! to
get rich as a king
from the blessings that
this god may bestow upon him.
Instead, there's this
traveler-clad in rags, thin,
with a feeble voice,
saying: 'Please,
open the door, Father-1
haven't eaten anything
for seven days!'
The priest slams the
door on his face!
Turning around to
continue on his journey
through the dark night
the hungry traveler
says: 'This temple
belongs to the priest,
0 God, not to you! '
At the mosque, the
mollah is overjoyed,
by the huge amount of
leftovers of,meat and bread
from yesterday's
offerings.
Just then a sickly
traveler arrives at the door,
saying: 'Father, I have
been hungry
for the last seven
days! '
The mollah reacts:
'What a botheration!
You're starving? -Just
go and dropp dead
in some cattle
graveyard!
Besides-do you say your
prayers? '
'No, Father,' replied
the hungry man.
'That does it-out! '
shouts the mollah
shutting the door on
his face,
holding on to the meat
and bread.
The hungry man
continues on his journey,
saying: 'I have lived
for eighty years
without saying a
prayer, yet you've never
deprived me of my food.
But the mosques
and temples, O
Lord-human beings have
no claim on them.
Mollahs and priests
have locked all their
doors!'
Where are you Chengis,
Ghazni Mahmood, Kalapahar?
Smash the locked doors
of these houses of worship!
Who dares shutting\the
doors of the house of God,
who dares to put locks
on them?
Open those doors-strike
with your hammers & crowbars!
Oh, the house of
worship-selfish, hypocrites
occupy their towers! –
Who are they-hating
human beings
yet kissing the Quran,
the Vedas, the Bible?
Snatch away those books
from them.
The hypocrites pretend
worshipping those books
by killing the human
beings who have, in fact,
brought those books
into existence.
Listen, you ignorants:
Human beings
have brought the books,
the books never brought
human beings!
Adam, David, Isiah,
Moses, Abraham, Mohammad,
Krishna, Buddha, Nanak,
Kabir-the treasures
of the world-they are
our ancestors.
It's their blood that
runs through our veins.
We're their children,
kin-we're of the same body.
Who can tell? -Someone
among us
may turn out to be like
one of them.
Don't laugh, my
friend-the self within us
is fathomless and
infinite.
Do I-does anyone-know
what greatness
may lie within that
self?
Perhaps in me lies the
Kalki,
and in you, Mehdi or
Isiah.
Who knows what is one's
limit or the origin!
Who finds what path to
follow?
Whom do you hate,
brother, whom do you kick?
Perhaps within his
heart
resides the
ever-awakened God!
Or pernaps he's nobody
that important,
great, or of high
esteem-but just someone
who's covered with
filth, badly wounded and battered,
and burning with
sorrow.
Yet, all the holy
scriptures and houses of worship
are not as sacred as
that one tiny human body!
Perhaps he'll father-in
his house will be born
someone yet unmatched
in the history of the world,
who'll deliver a
message never heard before,
whose great power the
world has yet to witness!
Who's he? An
untouchable?
Why do you startle?
He's not to be despised!
He may turn out to be
Harishchandra or Lord Shiva.
Today an
untouchable-tomorrow he may become
a supremely revered
yogi-emperor.
You'll come to him with
offerings, sing his eulogy.
Why do you look down
upon a shepherd?
Perhaps he's Krishna in
shepherd's disguise!
Don't hate him for being
a peasant
he maybe Lord Balaram!
They're all bearers of
eternal messages.
Everyday begging men
and women
are turned away from
the door.
How would I recognize
if Lord Bholanath and
Girijaya were among them?
Just to avoid sharing a
little of your sumptuous meal
with a beggar, you
resort to your doorman-beating up
and chasing away a god!
But all that gets
recorded-who knows if you're
ever forgiven by the
humiliated goddess.
Friend, you're full of
greed
with a blinder of
selfishness over your eyes.
Otherwise you'd
recognize the god
serving you as a
coolie.
You, beast! To appease
your hunger, do you want
to go on plundering the
god within the human heart,
the nectar churned out
of human pain?
Your evil gorge knows
what appeases your hunger,
where in your palace is
concealed your death-arrow.
Through the ages, your
own desires
have dragged you into
your death-holes.

মন্তব্যসমূহ
একটি মন্তব্য পোস্ট করুন